Inscript—the go-to virtual event for all things at the overlap of technological and typographic innovation—is back for its third year. Inscript takes place online October 16th through the 20th, with 6 months of video-replay available to advance ticket holders. (Only $35)

Focusing on design, language, and all facets of communication, Inscript provides a space for the leading contemporary talent to let you in behind-the-scenes into their process-making and what’s motivating them today.

Register!

Curators

  • Min-Young Kim

    Min-Young Kim is a trilingual typographer, project manager, and researcher specializing in CJK Latin polyglot typography. Having developed her career in the font business as a project manager at Japanese type foundries Morisawa and Fontworks, Min launched her studio, EmDash, in 2020, where she collaborates with notable clients such as Google and Adobe.

  • Ksenya Samarskaya

    Ksenya Samarskaya is a strategist and creative practitioner focusing on all things typographic and pedagogical, with equitable regenerative futures constantly on her mind. Samarskaya leads a type and branding practice, Samarskaya & Parners, since 2011, and is highly active in the greater community as an AGI member, past board member at AIGA/NY and ATypI, and past TDC director. She teaches type and creative strategy worldwide.

  • Alex Slobzheninov

    Alex Slobzheninov does everything related to typography—uses type, makes type, and makes tools to make type. Based in Prague, he is the founder of Contemporary Type and part of Pangram Pangram, having previously worked with &Walsh studio. Slobzheninov has been featured in publications including It’s Nice That, New Aesthetic, PRINT, and Slanted; and has won the TDC Ascenders and ADC YG rising star awards.

Presentations & Discussions

  • Moderator
    Moderator
    Wed, Oct 16
    01:00 PM GMT

    Min-Young Kim

    Moderating the first day of Inscript, Min-Young Kim is a trilingual typographer, project manager, and researcher specializing in CJK Latin polyglot typography.

  • Presentation
    Presentation
    Wed, Oct 16
    01:05 PM GMT

    Andy Simionato + Karen Ann Donnachie

    Donnachie and Simionato are an artist duo who have worked exclusively together in the expanded fields of computational art and design for over 30 years. They produce custom-built automated-art-systems, driven by A.I. and machine-learning, in order to uncover and explore new feelings in an age of computational transcendence. Their work is concerned with the shared futures of language, literature, and emerging technologies. They have won the highest international awards and critical recognition in their fields, with work exhibited internationally and featured in a number of major publications and international press.

  • Presentation
    Presentation
    Wed, Oct 16
    01:35 PM GMT

    Way of Seeing: New Perspectives in Experience Design and Digital Design

    This presentation explores experience design and digital design projects through the lens of ‘ways of seeing’ I delve into the methodologies of target audience selection and content organization in creating exhibition experiences, as well as designing visitor experiences through new technologies. Through diverse case studies such as the Adidas Korea pop-up store design utilizing Apple Vision Pro, the Vogue Korea archive project, and the artifact media kiosk at the Seoul Museum of Craft Art, I introduce the processes of information classification, technology application, and creating viewing experiences using new technologies. I share insights into the evolving ‘ways of seeing‘, from traditional exhibition methods to interactive experiences employing cutting-edge technology.

    Kim Jungwook, Rebel 9

    Kim Jungwook is a creative director and graphic designer at Rebel9, based in Seoul. Rebel9 specializes in experience design utilizing information, pursuing an integrated approach that encompasses everything from archive resource design to innovative experience design through augmented reality. They have carried out various projects with commercial brands such as Nike, Adidas, and Vogue Korea, as well as cultural institutions like the National Museum of Modern and Contemporary Art(MMCA) and the National Museum of Korea. Based on their design practice, they are developing collaborations with team members composed of various experts. Currently, he is teaching Cultural Information Design at the Graduate School of Sookmyung Women’s University.

  • Presentation
    Presentation
    Wed, Oct 16
    02:05 PM GMT

    Typeface for Unity

    Since their invention, typefaces have been used in books, art, and design to convey information and impressions. However, I believe they hold even greater possibilities. Typefaces can connect people who have never been connected before. In this talk, I will explore how typefaces can unite people with different perspectives. We will focus on "Braille Neue," a typeface that integrates Braille and existing characters, demonstrating how design can bridge diverse communities.

    Kosuke Takahashi

    Kosuke Takahashi is an inventor dedicated to exploring new ways of communication that help people build connections. He has been working on fostering playful communication that transcends disability, age, gender, and other barriers. He was selected as one of the world's best design graduates by the Antenna Foundation and one of the innovators in Japan by the WIRED Audi Innovation Award. His recent projects have been nominated for the DIA Award (China, 2021) and the Good Design Award (Japan, 2021).

  • Presentation
    Presentation
    Wed, Oct 16
    02:35 PM GMT

    The Guide to Be Seen

    As a type designer whose job is basically making useful forms, I’m obsessed with shapes that were created for non-human gaze or machine scan process: Aerial photo calibrations targets, television test patterns, optical code like QR or barcode. A homage to Hito Steyerl’s film “How Not To Be Seen” (and actually pushing the thoughts into the opposite side), This talk unfolds my most recent body of studies around the idea of “augmented type”, including my type and image making process, and some prompts that expand into screen-based mediums.

    Eager Zhang

    Eager Zhang is a visual artist and graphic designer who lives and works in Los Angeles. They explore among the territory of reading behavior, expand their practice into printmaking, web architecture, and multi-media experience. Their recent body of work focuses on how machine language and visuals shaped our perception towards nature and landscape, and how those different forms intertwine with each other. Zhang is a faculty member of Otis College of Art and Design, teaching in BFA and MFA Graphic Design programs.

  • Presentation
    Presentation
    Wed, Oct 16
    03:05 PM GMT

    Embodied Typography—Exploring the Body as Interface

    Why not use our bodies to communicate with machines? The Embodied Typography series explores how we can interact with type and graphics through our body as interface. This experimental approach opens up an endless playground of human-computer interaction, transforming code into both tool and artistic device. Embracing a speculative design perspective, creative coding takes us on a journey with uncertain and unexpected outcomes.

    Nahuel Gerth

    Nahuel Gerth is a creative technologist exploring the intersection of science, art, and technology. He designs and codes visual narratives driven by curiosity and experimental play. Fascinated by code as the DNA of our modern world, he views Creative Coding as a means to access, dissect, and reshape this foundational layer. For him, Creative Coding is a tool for dreaming up new and playful speculative realities.

  • Presentation
    Presentation
    Wed, Oct 16
    03:35 PM GMT

    Themes and Permutations: Frameworks for Audiovisual Composition

    Join new media artist Pauric Freeman as he discusses his approach to audiovisual composition. In this talk, Pauric will guide you through the creative process behind his latest performance piece, "Structures," uncovering the core principles and methodologies that shape his work. He will explain how he uses permutations to develop narratives around themes, and will demonstrate his approach to implementing these concepts within a generative visual system.

    Pauric Freeman

    Pauric Freeman is an Irish artist whose practice explores sound, technology, and perceptual experience through audiovisual performance and installation. He creates dynamic visual systems that experiment with new forms of audiovisual expression, recontextualizing the experience of sound in performance. Through merging art and technology, his work experiments with new perspectives in audiovisual composition. Based in Dublin, Pauric’s work has been exhibited and performed in a wide range of venues and festivals, both in Ireland and internationally in Europe, North America, and Australia. He has collaborated with a diverse range of artists, and his work has been recognized for its innovative approach to audiovisual performance.

  • Moderator
    Moderator
    Thu, Oct 17
    01:00 PM GMT

    Marcus Leis Allion

    Marcus Leis Allion is a graphic designer, type designer, and lecturer with a keen interest in design history, media studies and critical theory.

  • Presentation
    Presentation
    Thu, Oct 17
    01:05 PM GMT

    Iterative Analogue Arabic Letter-making in Contemporary Design Practice

    The Arabic script, with its flowing cursive nature and diverse geographical influences throughout history, faces challenges in a hyperpoliticized technspheres that often favors block letter alphabets over other scriptual systems. In this talk, Mina explores the benefits of integrating analogue techniques of Arabic letter making into modern practices, highlighting the unique craftsmanship and artistry that these methods bring to contemporary design.

    Mina Maurice, 40MUSTAQEL

    Mina Maurice is a Cairo based graphic designer and associate creative director of 40MUSTAQEL. his work is driven by the curiosity to investigate language and script as ever-evolving artifacts of political and socio-cultural impact, with a profound interest in the complex and reciprocal nature of multilingual design. His practice is characterized by typographic experimentation often rooted in Arabic typography as a vehicle for exploration and artistic expression from the SWANA region and beyond. In committing to transiting across discourses, Mina constantly seeks to employ various frameworks of cultural production that integrate theory, design praxis, and craft.

  • Presentation
    Presentation
    Thu, Oct 17
    01:35 PM GMT

    Animated type: Bridging Graphic, Type, and Motion Design

    Klinksik’s talk delves into the dynamic intersection of graphic design, typography, and motion design, with a focus on animated typography. It will explore how being a designer skilled in all three disciplines can serve as a catalyst for creative output.

    Marinus Klinksik

    Marinus Klinksik is a multidisciplinary designer based in Hamburg, Germany. His practice revolves around graphic, type, and motion design. These three design disciplines are closely interconnected and mutually dependent in his work. Marinus divides his time between freelance projects spanning cultural initiatives, music, branding, and designing and publishing typefaces. In 2024, he founded his own type foundry, WhyFoundry.

  • Presentation
    Presentation
    Thu, Oct 17
    02:05 PM GMT

    b•••coming with

    At Inscript, Formless Twins will present "b•••coming with," their Generative Museum Identity Design System based on Collective Participation for the Busan Museum of Contemporary Art. This ongoing identity system challenges preconceptions of locality, contemporaneity, and publicness by intersecting technology, typography, ecosystem, and playfulness. The project originated from their interest in the playful irony of marginalized aesthetics and its relation to non-fixed identity expression.

    Sangah Shin and Jaejin Ee, Formless Twins

    Formless Twins, the graphic design duo of Sangah Shin and Jaejin Ee, work nomadically between Seoul, Amsterdam, and NYC.

  • Presentation
    Presentation
    Thu, Oct 17
    02:35 PM GMT

    Cooking in the Darkroom

    I was never much of a cook even though the social language of my region is food. However, I discovered that a darkroom could provide a space for making type feasts. One of the collaborative projects that nudged me in this direction was the making of a children's book for local arts and education partners. In this project, my colleague and I used play and experimentation to explore and push boundaries of traditional photogram making. Our portable ‘fridge’ consisted of honey, lemon pulp, corn syrup, ice, soap foam, ink, and other fun ingredients. The very crude limitations of the mechanics behind photograms inspired a creative journey of curiosity and exploration. This traditional craft suddenly became a tool for making and baking type. I am humbled by the opportunity to share this process with the Inscript community.

    Irma Puškarević

    Irma Puškarević works at the intersection of practice and education. She explores the relationship between languages and alphabets through experimental typography. Working as a lead photographer for Exit Festival during its formative resistance-bound years set her on a path of chance taking and empowerment through spontaneity and collaborative workspaces. She holds a PhD in graphic engineering and design. Experimental practices she developed during her PhD became a model for her teaching and creative practice. Irma is also a part of the international network of mentors affiliated to the Alphabettes type community. She works and lives between the US and the Balkans.

  • Presentation
    Presentation
    Thu, Oct 17
    03:05 PM GMT

    HARBER

    Benoît Bodhuin usually starts with lowercase letters when designing a font family. Not this time. He started with the capital letters H, A, R, B and E and thus had a name for the font straight away. HARBER is a font designed on a dot grid in which each letter is unchanging, only the dots move and grow. These changes are determined by five axes: weight, slant, volume, noise and optical size.

    Benoit Bodhuin

    Benoît Bodhuin creates work protocols, plays with self-imposed constraints and invents rules of conduct. He plays with modular elements, construction processes and design logic to invent adventurous and generous, moving and joyful typographic forms.

  • Presentation
    Presentation
    Thu, Oct 17
    03:35 PM GMT

    Matthias Brown, TraceLoops

    Matthias is a New Jersey-based artist and animator, who is constantly experimenting with digital and analog forms of rotoscoping.TraceLoops is an animation experiment centered around hand-drawn, physical animations and experiments with the creation and perception of motion. TraceLoops has been used by a variety of brands including Converse, NBC, Hyundai, MTV, Purina, Trolli, AXE, Olay, Perrier, A&E, Warby Parker, CNN, The Tate Modern, Sony Music, Ghostly International, Samsung, Infinite Objects, Adidas and others.

  • Moderator
    Moderator
    Fri, Oct 18
    01:00 PM GMT

    Elizabeth Goodspeed

    Elizabeth Goodspeed is It's Nice That's US editor-at-large, as well as an independent designer, art director, educator and writer.

  • Presentation
    Presentation
    Fri, Oct 18
    01:05 PM GMT

    Kris Andrews Small

    Based in Sydney, Kris Andrew Small’s work is a joyful explosion of colour, typography, pattern, and collage. He often takes societal issues and channels them through loud and abstract visuals. This idiosyncratic merging of techniques and themes features on any number of mediums has seen Kris collaborate with clients including Nike, Apple, Dazed, Die Zeit, Adidas Originals, It’s Nice That, Channel 4, WeTransfer, Reebok and more.

  • Presentation
    Presentation
    Fri, Oct 18
    01:35 PM GMT

    Rejane Dal Bello

    Rejane Dal Bello specializes in helping brands find their unique identities through the creation of impactful and purposeful design. She is an AGI member and award-winning graphic designer and illustrator, whose work is part of the permanent collection at the V&A museum. Originally from Rio de Janeiro and now based in London, Rejane has over 25 years of experience, including working with Studio Dumbar and Wolff Olins. Now, at the helm of her own studio, her portfolio is packed with work for charities and community organizations striving to bring good into the world.

  • Presentation
    Presentation
    Fri, Oct 18
    02:05 PM GMT

    A journey through visual programming language turned toward typography

    This talk will be about the story behind the creation of a type based visual aesthetic using visual programming language. Going through the various unexpected outputs I got and the thread that links one to another. And finally, how those different stages of evolution construct a various catalogue to pick from in the future.

    Bettina Comte

    Bettina is a french graphic designer currently living in Amsterdam. Her focus is on graphic, motion and type design, usually in combination with each other. Through her work, she has developed a set of digital tools that she feeds with the object of her affection: typography.

  • Presentation
    Presentation
    Fri, Oct 18
    02:35 PM GMT

    Typing Presence

    In a world where we are physically apart, the web allows us to coexist in the same digital space. But how can we recognize each other’s presence and build emotional connections when we cannot see one another? “Typing Presence” explores how, through the act of typing, we reveal our presence in the digital environment and collaboratively construct communal spaces.

    Halim Lee

    Halim Lee is a multidisciplinary graphic designer and design educator. She has a background as a mobile UX Designer at Samsung and completed her MFA degree at the Rhode Island School of Design. By embracing diverse media, from print to digital, she strives to explore new possibilities in graphic design. She weaves humor, storytelling, and poetic computation together, and utilizes this mix to advocate for the power of positivity and brightness.

  • Presentation
    Presentation
    Fri, Oct 18
    03:05 PM GMT

    Marina Willer, Pentagram

    Marina Willer is a Brazilian-born graphic designer and filmmaker based in the United Kingdom. Willer is a partner at Pentagram, an examiner at the Royal College of Art, and a member of AGI (the most prestigious graphic design association in the world). She has chaired D&AD’s jury on numerous occasions and is a past head creative director at Wolff Olins.

  • Presentation
    Presentation
    Fri, Oct 18
    03:35 PM GMT

    Kelli Anderson

    Kelli Anderson is a graphic artist and paper engineer who works with a wide range of mediums including infographics, branding design, pop-up books, and risograph animations. She has taught art and graphic design at Cooper Union, NYU, and SFPC; given a Ted talk on disruptive art; and published numerous books. Her work has been covered by NPR, MoMA, Chronicle, and the New Yorker. Her upcoming book is “Alphabet in Motion, a pop-up book for Typophiles”.

  • Moderator
    Moderator
    Sat, Oct 19
    01:00 PM GMT

    Chris Hamamoto

    Chris Hamamoto is a designer, developer, and educator from the San Francisco Bay Area, now living in Seoul and teaching at Seoul National University. In addition to teaching, he pursues an independent practice focused on how automation and algorithms affect communication and aesthetics – a topic he explores through graphic design, and software design.

  • Presentation
    Presentation
    Sat, Oct 19
    01:05 PM GMT

    This Helped: From Spark to Vision

    We would like to share how unforeseen discoveries and unique thought processes influence the final outcomes of our work.In this talk, we’ll share real cases from our studio, demonstrating how everyday moments—images or videos, sudden memories, deep discussions, or solitary reflections—transform into creative designs. We’ll delve into the origins of ideas that hold personal interest and social significance, illustrating how initial sparks evolve into specific design elements or choices.Hope this helps your journeys.

    Ordinary People

    Ordinary People is a multi-disciplinary design studio specializing in brand strategy and art direction. Founded in 2006, we work across various media on cultural and commercial projects. We explore contemporary cultures and visual language utilizing modern technologies. Through diverse and active experiments, we design unique ways of communication.

  • Presentation
    Presentation
    Sat, Oct 19
    01:35 PM GMT

    Jonathan Mak

    Jonathan Mak is a graphic designer from Hong Kong, with projects ranging across branding, publication design, and multimedia art. The ongoing series “Sound Type” combines his interests in sound, motion, and typography. By day, he designs motion-based video games at the tech startup Nex. His works have received recognition at the D&AD Awards, the Cannes Lions, the Type Directors Club Awards, among others.

  • Presentation
    Presentation
    Sat, Oct 19
    02:05 PM GMT

    Marianne Noordzij

    Marianne Noordzij is an artist, designer and web-developer working at her own pace to create surfaces and spaces which are often an antidote to capitalist micro- and megastructures. Noordzij aims to develop a deeper understanding of inhabiting(online) spaces, interactivity, sonic and visual interfaces and their impact on the emergence of cultural moments and communities.

  • Presentation
    Presentation
    Sat, Oct 19
    02:35 PM GMT

    Anagha Narayanan

    Anagha Narayanan is an independent Indian typeface designer based in France. She graduated from EsadType, Amiens in 2023 and previously worked with Black Foundry, Universal Thirst and Sharp Type. Anagha is the recipient of the SOTA Catalyst Award 2020 and has been listed on Women of Typographic Excellence by Malee Scholarship. Anagha’s work has been recognized by TDC, D&AD, Communication Arts and Granshan. Her work is driven by the profound intersection between type design, culture and history.

  • Presentation
    Presentation
    Sat, Oct 19
    03:05 PM GMT

    With text: Code as Clay

    In this talk I want to highlight how code, which is made of thousands of single characters, forms a new creative material for designers, artists and enthusiasts. Drawing parallels to materials that are used to create works of art such as wood, metal, with the help of elements like fire, water and air, we can view code as a clay-like mass with non-newtonian properties that can driven by simple math equations and randomness.

    Julian Hespenheide

    Julian-Anthony Hespenheide is a German Creative Technologist working in the fields of new media arts and creative coding. In his work, he creates compelling complex installations to tell peculiar stories about the digital and opens a discussion space in the analog sphere. His work emphasizes on converging the digital with design, art, science and technology to create novel concepts and a better understanding of the future.

  • Presentation
    Presentation
    Sat, Oct 19
    03:35 PM GMT

    There are three options: The first talk is about my «Creative Process» and everything I learned so far. The second is about the «Graphic Design Workflow». How it started. Why we created it and so on. And the third option would be about creating the «Südpol Poster Series». We would go thought some designs from sketch to final. I will decide two seconds before the presentation which one to show.

    Felix Pfäffli, Studio Feixen

    Felix Pfäffli is a graphic designer based in Lucerne, Switzerland. He founded Studio Feixen in 2009 and was inducted into the Alliance Graphique Internationale (AGI) in 2013 as its youngest-ever member. His work includes projects in various design areas. Whether it’s graphic design, interior design, fashion design, type design or animation, the only constant remains the in-depth examination of color, shape and typography.

  • Moderator
    Moderator
    Sun, Oct 20
    01:00 PM GMT

    Travis Kochel and Lizy Gershenzon, Future Fonts

    Co-Founders, owners, coders, and designers at Future Fonts. Travis seeks interesting intersections between technology and design, with a healthy dose of experimentation and playfulness, while Lizy considers design a power to promote ideas and help communities.


  • Presentation
    Presentation
    Sun, Oct 20
    01:05 PM GMT

    Morgane Vantorre

    Morgane Vantorre is a freelance type and graphic designer based in Paris. Passionate about the materiality of our written language and what its forms convey beyond its meaning, her work is based on a strong interest in the typographic sign in its entirety. Her work often spans mediums—from embroidery, stone-carving, or baking—bringing type and lettering into all manners of daily life, translating the letterform across styles and materials.

  • Presentation
    Presentation
    Sun, Oct 20
    01:35 PM GMT

    Maria Vioque Nguyen

    María Vioque Nguyen is a multidisciplinary designer based between Mallorca and London. Since graduating, she has collaborated with diverse clients on design projects spanning various disciplines, co-founding Hondo Studio in early 2023, where she creates meaningful, impactful work across the full spectrum of design. Her work has also been recognised by the International Society of Typographic Designers. With a love for typography and poetic visuals, she enjoys exploring the interplay between analog and digital design.

  • Presentation
    Presentation
    Sun, Oct 20
    02:05 PM GMT

    Kristyan Sarkis

    Kristyan Sarkis is a type designer and lettering artist, born in Beirut and based in Amsterdam. He holds a Master in Type & Media from the Royal Academy of Art (The Hague). He has co-founded TPTQ Arabic type foundry, and Arabic Type Design—Beirut, the first international educational program of its kind and the Arabic Lettering Workshops traveling series. He has taught at LAU Beirut, ESAV Marrakech and currently teaches at the Type & Media master program.

  • Presentation
    Presentation
    Sun, Oct 20
    02:35 PM GMT

    Studio Yukiko

    Studio Yukiko is a Berlin-based creative agency specialising in creative direction, art direction, brand strategy, concept generation and graphic design for commercial and cultural clients alike. The studio produces award-winning work, unearthing narratives, telling stories of local communities worldwide, and immerses themselves in the trends of internet and youth culture. With its research arm, Yukiko continually experiments with contemporary forms of visual storytelling and fosters a deeper understanding of the audiences with which its projects engage.

  • Presentation
    Presentation
    Sun, Oct 20
    03:05 PM GMT

    Resilient Narratives: The Power of Indigenous Visual Signs in Creative Technology.

    This talk explores how visual signs from ancient Latin American cultures, imbued with deep narratives, are reinterpreted using creative technology tools like p5.js and Processing. The presentation briefly examines how these resilient cultural expressions not only decolonize design but also rejuvenate historical narratives. Creative technology amplifies the significance and relevance of our indigenous visual signs, offering a universe of creative possibilities and fostering meaningful contemporary cultural connections.

    Vanessa Zúñiga Tinizaray, Amuki

    Vanessa Zúñiga Tinizaray, an Ecuadorian designer, has been researching and exploring indigenous visual signs of Latin American cultures for over 20 years. Her morphological study of these signs drives her to merge traditional methods with innovative creative technologies. Bridging her ancestral roots with the future, she creates a dynamic visual universe that revitalizes cultural traditions and expressions. Through her work, Vanessa shares ancestral narratives, breathing new life into millennia-old cultures and emphasizing their relevance in the contemporary context.

  • Presentation
    Presentation
    Sun, Oct 20
    03:35 PM GMT

    Zach Lieberman

    Zach Lieberman is an American new media artist, designer, computer programmer, and educator based in New York City. He creates artwork with code, focusing on building experimental drawing and animation tools. His work has appeared in numerous exhibitions around the world, including Ars Electronica, CeBIT, Offffestival, and OuternetArts. In 2012, Lieberman co-founded the School for Poetic Computation in NYC. He’s also taught at Parsons and MIT. His drive is to make interactive environments that invite participants to become performers—and a focus on how computation can be used as medium for poetry.

Grants

Our grant program is live! We love to support and champion explorative, boundary-pushing, and thoughtful work at all stages. Individuals and teams are qualified, with the application process focusing on a description of what you’re working on or hope to explore, and where you’ve gotten to in your career thus far. The judging will be done by this year’s curators, and the deadline is by when the festival starts, October 16, 2024. APPLY HERE, and good luck!

Select Press

  • “Inclusive, diverse, bold”: Experimental type festival Inscript returns for its second year

    “Inclusive, diverse, bold”: Experimental type festival Inscript returns for its second year.


    It’s Nice That

  • Inscript has the best conference lineup of the year

    Inscript has the best conference lineup of the year

    Neon Moiré via Insta Comments

  • Typo Festival Inscript

    Die Sprecherliste des Type Festival Inscript 2022 kann sich sehen lassen: DIA Studio, Kiel Mutschelknaus, Tina Touli, Underware und noch viele mehr.

    PAGE

  • The Daily Heller: Brazen Experiments, Phygital Media and Ferrofluid, Huh?

    “A virtual event for sharing the wildest experiments or latest innovations, Inscript highlights industry experts across typography, creative coding, phygital media, and more—from artificial intelligence to type knitting; from augmented realities to massive interactions in the physical landscape; from financial models to ferrofluid.”

    PRINT

  • Cutting Edge of Type

    Inscript was not just a celebration of creativity; it was a testament to the power of collaboration, exploration and experimentation. As we reflect upon the insights shared and connections forged during the [2023] festival, we are reminded of the boundless possibilities that lie at the intersection of typography, technology, and human ingenuity. Inscript inspires and empowers designers to push the boundaries of what is possible, charting a course towards a more innovative and inclusive future.

    Eye Magazine

  • Access to the Futures of Type

    The experimental tone of ‘Inscript’ left me feeling exhilarated, liberated and impatient to try new these tools and methods in my own work.

    Eye Magazine

  • Inscript Type Festival 2023: A not-to-be-missed rendezvous with typography and innovation in the digital realm

    Inscript Type Festival 2023: A not-to-be-missed rendezvous with typography and innovation in the digital realm.

    Typeroom

  • Inscript Experimental Type Festival: the moment to join a revolution dawns online

    Inscript is this fall’s must-attend event. And THE virtual portfolio and behind-the-scenes showcase experience for all things pushing the edge of the expected.

    Typeroom

  • Inscript: An Online Festival of Technology and Typography

    “I think all tools change behavior. And having awareness, and dialogue, about how that happens is immensely beneficial so that it doesn’t happen in a vacuum.”

    IDEA

  • A.I., typography and storytelling: Analyzing the new visual identity of Inscript Festival with Kacper Pietrzykowski

    A.I., typography and storytelling: Analyzing the new visual identity of Inscript Festival with Kacper Pietrzykowski


    Typeroom

  • Breaking barriers for a brave new world: Ksenya Samarskaya on Inscript Experimental Type Festival

    Inscript brings together practitioners that are pushing forward the future of type — want to know what we’re all going to be doing in a few years? See what’s possible? These are the rooms to be in.

    Typeroom

Sponsors

We’re always interested to work with aligned brands to further our collective vision. Please email us to discuss sponsorship opportunities.